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We went to Bali, saw God and Dali
So mystic, surrealistic...

Queen, 'Was It All Worth It?' (The Miracle)

 

The first four pieces on this page were written in July/August/September 2004:

 

Radio Ga Ga - Lost in Translation? - Some words about language

Under Pressure - China and Its Changes - My time in China as a student and some updates

Hammer to Fall - The German Connection - Studying in East Germany, working in the united Germany

46664 - Invincible Hope - About the Cape Town concert and the Latino concert that never was....

 

The rest are dated. 

 

 

 

 

 

 

*Radio Ga Ga - Lost in translation?

As a linguist, I take a natural interest in words. When you think about it, we may translate our thoughts and feelings into words, music or art, which other people in turn translate back into their own thoughts and feelings. The creator may find that the creation takes on a different nuance of meaning for the audience to that which he or she originally intended, but no matter.

 

There has been some discussion on Brian's official site about the translation of Queen lyrics for the musical - mainly concerning Spanish so far, but some correspondence earlier this year (Letters, February 28 and 29/04) suggesting a hilarious possibility for the translation of part of Bo Rhap into German (the musical arrives in Cologne in December) has kept the issue alive. As a fluent German speaker I can understand the problem here, but I still like the idea of WIR WERDEN DICH ROCKEN!

 

*'Radio Ga Ga' was released in 1984 accompanied by a video containing clips from the late 1920s Fritz Lang film 'Metropolis' which were purchased from the German government. No chance of a 'lost in translation' here - it's a silent movie! (Click here to read more about Queen's international appeal).

 

 

Under Pressure - China and Its Changes

China is now changing rapidly, but I was there as it made its first tentative steps into a new history...

               People on Streets..            

                                                                                      (Under Pressure) Queen/David Bowie

 

From Autumn 1981 to Summer 1982 I was studying in Shanghai, China as part of my course at Leeds University. It certainly had quite an impact on me to go somewhere so different at such a formative age - nineteen. It was an exciting time to go as China had not long started an 'Open Door Policy', opening up to the west after many years of isolation. The effects of the Cultural Revolution (1966-76), were still being felt. To cut a long story short, that time was marked by stifling of artistic expression of anything other than praise of Chairman Mao, and the education of many was affected when young people were sent to the countryside to work alongside peasants. We are therefore not only talking about a significantly different culture, but a radically different political system, demographic legacy and retarded infrastructure and development. The latter was the reason why one had the feeling, on arriving in Shanghai in the autumn of 1981, of going back in time - maybe even as much as three decades or more in some respects. This was accentuated by the history of Shanghai itself - it had been annexed by the British and French in the 1930s and the centre of the city is still largely made up of European-style buildings and streets dating from this time - ironically, much of this architecture was destroyed in Europe itself during World War II. In some places, this dating applied to the internal decor as well. Inside the Jinjiang club (unfortunately no longer existing in that form) for example, one expected to see Humphrey Bogart emerging from behind the splendid red curtains at any moment! 

The first thing to learn about China is that its greatest resource is people - masses of them. Imagine something ten times worse than Oxford Street on a crowded Saturday in a tourist season, and there you have the Nanjing Road in Shanghai on any day of the week. Things are changing in China now, and a 'one child policy' is steadying population growth. But in those days, in order to maintain full employment, there were often half a dozen people doing a job where one would have done. This could also account for some of the stifling bureaucracy I encountered - I likened it to a very heavy lump of ice sitting on top of the stream of Chinese civilisation, stopping it from flowing unless there was a means by which it could seep through. I often wondered if the concept of 'Chinese Whispers' came from an observation of the number of people who could handle one transaction in this society. For example, drawing money from the bank involved the passing of my bank book and various slips of paper round a ring of four people - one of whom was at the end of a mini 'washing line', to which the documentation was clipped then shunted down to her. Furthermore, if you didn't time your banking carefully, you would be further delayed, when, at a certain point in the afternoon, exercise music would be played and all the clerks stopped work immediately to do physical jerks. One of the features of Chinese life was a set of stipulations that seemed to govern just about every area of existence called 'gui-ding'. This word cannot be translated into English because one does not encounter such a wide-ranging set of rules in a freer society.

Despite a definite intention to open up and progress, there were still elements in the Chinese government which were quite paranoid about western influence, especially on the young. Just one example of this was that we were able to pick up the BBC World Service Radio but, when the chart was being broadcast, the signal faded and returned again afterwards, indicating that it was being deliberately blocked*. It was therefore impossible to keep up with the latest sounds back home, but one of my fellow-students had a cassette tape sent to her and this is how, late in 1981, we got to hear the newly released Queen/David Bowie collaboration 'Under Pressure'. Familiar voices therefore reached us from back home - an extraordinary song in this (for us) extraordinary place. We used the tape for our own mini disco, and a few Chinese were able to be there. This may have been one of the very first occasions that members of the most populous nation in the world had had the chance to hear a Queen song. But as the group were very big in Japan right from the seventies, an earlier invasion might have occurred from there - China's industrialised neighbour was 'first in' when things had started to change. You wouldn't believe it now, but there was hardly any advertising then. Such as there was, most of it was done by Japanese companies - a neon sign displaying 'Sanyo' was memorable because of its solitary central position, flashing away near the Huangpu river. (Or Huang-pooh - it really stank. I really don't know what they put in the rivers. I would love to have bottled some of the smells and bring them home for sampling and analysis. You probably would have found more chemicals than Lister had in his laboratory).

 I want to ride my bicycle, I want to ride my bike - (Bicycle Race) Freddie Mercury

 Getting  around as a student in early eighties China was usually done by bike. You had to be careful, though. It was just about everybody else's form of transport as well. If it wasn't for the other cyclists, sometimes transporting rear trailers with cargo as bizarre as cages of chickens, there were also some weird little three-wheeled cars, toy versions of Reliant Robins, darting out of side streets - your 180° reflexes had to be pretty sharp - and cable cars. These were particularly cumbersome. No wonder the slang expression 'chou bianzi' - to come off the overhead wires - was a metaphor for death.

 The food was great and Chinese hospitality second to none. Many Chinese were keen to practise English, the learning of which was being encouraged, so there was no problem getting into conversation with Chinese people and visiting their homes. Also, I got to travel to many of this country's most interesting places, such as Beijing, the Great Wall, the terracotta soldiers at Xian, right up to the north west where the Turkish-looking Uighurs and Kazakhs (among others) lived in oases in the Gobi desert. Also memorable were natural wonders; the Stone Forest at Kunming and the mountains of Guilin, of the type seen in classical Chinese paintings.

 

Shanghai was certainly a lively place by the standards of the time. However, as people there were still very unused to westerners, you would attract a curious crowd if you stopped on the street. They would gather round you, and just stand and stare, as if you had arrived from another planet. If I started to speak to them in their own language, several jaws would drop on the realisation that the intergalactic alien could speak Chinese!

 

I returned to China on a visit in 1995, taking my daughter, then three years old. I was able to visit my former room-mate from my days studying at Fudan University. I scarcely recognised Shanghai – the centre was fairly unchanging, but I couldn’t find my way round some parts of it from my previous memory.  Most notably, the area known as Pudong - across the river from 'Wai Tan' (or  the 'Bund'), which was previously a large cabbage patch, had now developed into a financial district with a TV Tower. There is so much more private enterprise - progress along the capitalist road continues apace. This may be accompanied to a much lesser and slower degree by ever more significant political changes, but there is also a fine line to tread to maintain stability. Very recently, the government has started to make pronouncements about the violent clamp-down on the peaceful protest in Beijing’s Tiananmen Square in 1989, indicating for the first time that mistakes were made. Many Chinese now study abroad and worldwide communications are such that censorship is becoming ever more difficult. The Chinese are not just enterprising in business - I heard a story a few years ago of a village deprived of its satellite dish due to a government ban, whose inhabitants managed to knock up a makeshift one using a dustbin lid! True or not, I don't know, but it still seems  appropriate somehow that the song 'Under Pressure', which I will always remember as a part of those months in China, was itself created from a session of studio improvisation!

 

 

My Chinese Student Card!

 

Then and now...

 

What a difference twenty five years makes! Left - a newspaper picture of the Nanjing Road, Shanghai, in 1982, and right, a night view taken of almost the same section in 2007, found on an internet blog!

 

                                

 

Hammer to Fall - The German Connection

 

The heavy rock song 'Hammer to Fall' was written by Brian May, appearing on the 1984 album 'The Works'. He has made it very clear that the song is purely about death. There have been some questions asked and other analogies made; I remember particularly one person asking if the 'hammer' came from the communist 'hammer and sickle' (Brian's  official site, letters May 03). This could be linked to the lines:

 

For we who grew up tall and proud                               

In the shadow of the mushroom cloud

 

 

being an overt reference to the Cold War. The image the song brings to me has something to do with both the original meaning and this other idea which crept in. The year the it was released, I was travelling around many 'Iron Curtain' countries in Eastern Europe. Five years later, the communist regimes in these countries collapsed like dominoes. The possibility of the hammer falling on us all through the nuclear threat is mentioned in this song, but happily the hammer fell on the regimes of the eastern bloc instead. One country had become of more interest to me than any other - in 1983, I had spent one term as part of my university course (in which I studied German as well as Chinese) in the German Democratic Republic (GDR), or East Germany. I took the chance to go there because my university had an agreement with the university which at that time bore the name of Karl Marx in Leipzig. East Germany was a difficult place to get to visit then, we would  only hear about this small country's overwhelming success in the Olympic games and about the 'Cold War' frontier itself - the Berlin Wall. As a result of my visit, I saw the Wall from the east side before I ever saw it from the west, and I must be one of the very few westerners who can say that. It was only on the west side where the Wall was daubed - as we are on the 'More of that Jazz' page, it seems appropriate to mention that the cover for the Jazz album (see below) was conceived by Roger Taylor after seeing a Berlin Wall piece of graffiti!* In the autumn of 1989, the extraordinary pictures of the opening of this monstrous concrete barrier - people standing on top of it, hacking away at it with pick axes, were accompanied in my mind by the song - 'Hammer to Fall' - falling on the Berlin Wall! So I've applied some 'artistic licence' here; although the song is clearly about a human death, here I've used it to write about another death - that of a state, a death which was brought about that November night when 28 years of separation were suddenly and gloriously brought to an end.

 

In 1983, Cold War rhetoric was still at a height. At this particular time, the US were heavily involved in the 'Star Wars' programme. Both sides had enough weapons to annihilate each other, and both sides saw the other as the aggressor.  It was quite unusual for western students to study in East Germany and we were therefore in a position of privilege- Russian was the second language, so we very rarely encountered English speakers. Also, we were able to meet people from Soviet-aligned countries like Cuba and Vietnam - we also saw North Koreans, but they weren't allowed to talk to us. Some people might think that the term I spent in Leipzig added to my time in China turned me into a raving Commy. This isn't the case, but it made me more broadminded. Lined up behind the front line of 'the Warsaw Pact' countries were ordinary people like us - not a nation of muscle-building shotputters called Helga - this is a crude stereotype, but Olympic athletes were the only representatives of this country we ever saw. Apart from Olympians, very few people were permitted to travel outside the country, and then only to a small number of fellow communist states nearby.  The reason why the Berlin Wall was originally built was to stop the country from haemorrhaging as a result of East German citizens leaving for the West. East Germany had the opposite problem to China - in the 'GDR' manpower was being boosted by generous state benefits for having children. There was some sense of irony when I told them about China's one child policy!

 

Mostly, those who were allowed to travel to the west were pensioners - retired people whose useful working life was over. However, I met one girl who was a little younger than me who fell into this category due to illness. She went to visit relatives in the west, and told me an interesting story. It had to do with the fact that, although just about everything was available in the 'GDR', there was a lack of variety and/or scarcity of some items. Her western relatives suggested that she buy some saucepans for her family back home. But on going into the supermarket, there was such a range of saucepans, she was unable to choose, and came out with her money unspent. She'd had a crisis of choice brought about by the fact that such items came into East German shops so rarely that they were normally snapped up within minutes. This was echoed by some of my fellow students, who were studying English but finding it almost impossible to find a decent English-German dictionary. They found it amazing that I could go into a bookshop in the UK and pick up a large Collins at any time - they didn't run out!

 

Apart from the lack of freedom to travel, the other main oppression in East German life was the Stasi (Staatssicherheitsdienst), or state security. People always had to watch what they said, because they never knew if a fellow-student, colleague or even relative was working for the Stasi by reporting back on conversations which betrayed anti-government thinking. Many found themselves in the position of doing this for a short time, possibly to get themselves out of some sort of trouble. But those who worked full-time for the Stasi led a privileged life; the Stasi official whose job it was to look after the British students (of course, we were freer to express our own ideas, but they were basically 'talent spotting' us possible for future spies), was among the minority of the population of Leipzig who had a telephone. Later, at the time of the changes in 1990, a former fellow student informed me that the telephone exchange in Dresden was so old (dating back to the war) that the company Siemens, who had been charged with upgrading the telecommunications system there, put it straight into their museum! Despite the lack of private 'phone lines, the Staasi itself had access to state-of-the-art telecommunications for its eavesdropping operations.

 

The other thing that was something of a luxury in the old East Germany was ownership of a car. The only vehicles on East German streets were Soviet tanks and Trabants or 'Trabis' - the East German manufactured car, and there was a waiting list to get one of these. I was living and working in Munich from 1990 to 1991 when many 'Ossies', or East Germans, were driving their Trabis on the streets there. This was a familiar sight for me but against a totally different backdrop - this time alongside the Mercedes and other big 'Wessie' makes!  Even later, towards the turn of the millenium, I visited a former fellow student in Berlin, who by that time had acquired a Mitsubishi. She said that if somebody had told her at one time that she would one day drive such a car through the Brandenburg Gate, she would have considered them mad. Up to the opening of the wall, the Brandenburg Gate was totally unapproachable, and I took the opportunity of this my most recent visit to walk through the gate myself - something that I would also once have thought impossible. The same former fellow student had benefited from my hospitality about nine years before when, soon after the changes, she was able to visit the UK, having previously studied English and had no chance to do so. She had been issued with an East German passport, and it was only about a fortnight before the political unification which would enable her to become a fully-fledged citizen of the European Community (or Union, as it is now).

 

Going back to my time in Munich, I enjoyed living there, and there was plenty of work for mother-tongue speakers of English, especially those who had a good mastery of German. The economy was booming from the takeover of the East, whose industry was rapidly collapsing. There was a good life to be had outside of work - visiting outdoor swimming pools, the surrounding lakes or various drinking holes, notably the upmarket cocktail bars of Schwabing, in the north of the city. Someone told me that Freddie had once frequented such places - I don't know if it's true but I could just imagine it. In one of them, I got into conversation with the roadie of Rod Stewart, whose concert I attended (supported by Simple Minds) in the Olympic Stadium.

 

Although East Germans knew an awful lot about the west (almost everywhere in the communist state could receive West German TV, which, despite it being illegal, they frequently watched), the reverse was not the case. The only reason that West Germans would have any knowledge of the East would be through visiting relatives there. I therefore found it ironic that, during my time working in Munich, I was often asked by Germans about the land of their fellow-countrymen with which they were about to be unified. Though an outsider, I found myself strangely poised between the two Germanies, genuinely being able to see both points of view: I also took the opportunity to go back to Leipzig and Dresden at the time of the changes. I found the shops were becoming ever more westernised; the still lingering Soviet soldiers were getting a taste of capitalism as they peered at expensive jewellery displays. Like the town of Chemnitz, the university which I had attended had been divested of its 'Karl Marx' epithet and been changed back to the 'University of Leipzig'. Similarly, many streets regained their pre-war names - my friend near Dresden explained that at one time, the old were the only people capable of finding their way around!

 

It's amazing that a piece of history that seems so recent is now something that has to be explained to the young generation. I do this in the classroom with the help of a current map, running my finger along the areas where the borders lay. It's natural that Germany is one nation again - one people. But I'll always remember the contact I had with this country that no longer exists - and I'm sure the same is true for my contemporaries among the East Germans - even more so because, despite all its shortcomings, it's where they grew up.

 

More about the music associated with my student days can be found in connection with the Tribute Concert - look at the top and the bottom of this page for the link. 

 

*Source - 'Queen - The Definitive Biography' by Laura Jackson, p. 120

 

www.queencollector.com

Click HERE for Roger page

Left: 'Jazz' Album Cover, 1978.

 

Somehow I have to make this final breakthru... NOW!*

 

Graffiti appeared only on the West Berlin side of the wall - it was not allowed on the East side, where only blank concrete was on display. Since the changes, the 'East Side Gallery' has given artists the chance to vent their creativity in a way that had never previously been possible. This is my favourite (right) - Birgit Kinder's 'Test the Best' - showing a 'Trabi' blasting through!

 

*It brings to mind a line from Queen's song 'Breakthru', coincidentally released in 1989

 

 

www.birgitkinder.de

 

Click on link 'One Vision' for a 

review of Wolfgang Becker's film

'Goodbye Lenin'

 

                                       

46664 - Invincible Hope (For more on Queen's participation in 46664, click here).

 

 

Note: These pictures are of the 46664 book launch on 25 Nov 2004 and were inserted on 27 Nov 2004.

For further details about the 46664 book, please visit the 46664 website (link under 'AIDS charities' on 

home page)L to R: Roger Taylor, Peter Gabriel, Nelson Mandela, Annie Lennox, Brian May, Yusuf Islam.

Pictures: www.roger-taylor.net

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The charity '46664' was created to address an African problem which has already had a massive impact – that of Aids. Nelson Mandela has lent his support to a campaign to raise funds and awareness about the issue, the name of it being his former prisoner number, and a concert was put together in November 2003 in Cape Town to launch it.

 

It was great to see a recording of this event. Two of the groups performing - Ladysmith Black Mambazo and the Corrs - I had seen when I had the good fortune to receive a free wristband through a lottery to see the South Africa freedom concert in Trafalgar Square in 2001. Nelson Mandela himself also spoke at that event. This time, The Corrs spoke about singing in Zulu with Ladysmith, and complaining that they didn't know the words, to which Joseph of Ladysmith replied "It doesn't matter, feel it in your heart". Great! It was also great to see Roger Taylor playing drums with the Corrs in the folksy 'Toss the Feathers', and Brian accompanied Andrea Corr for 'Is this the World We Created?'

 

Also in 2001, I had the opportunity to see Johnny Clegg at Hammersmith. I had been in West Africa in 1988 when he was on tour there but narrowly missed the opportunity to see the concert. He is a white South African, who flew in the face of apartheid by singing and dancing with Zulus, and was always being censored and harassed as a result. He performed his defiant song 'Asimbonanga' at this event.

 

Annie Lennox sang ‘Seven Seconds Away’ with Youssou n’Dour, from Senegal, who was introduced to the British public many years ago by Peter Gabriel, (once upon a time the lead singer of Genesis).  I remember it was in the early days of breakfast television and they discovered that Youssou could only speak French, so Peter Gabriel had to translate. Gabriel himself (he sang ‘Biko’ at this event, I believe for the first time in South Africa) is an accomplished linguist and once translated and recorded one of his solo albums entirely in German. (See 'Radio Ga Ga - Lost in Translation?' at the top of this page for some comments about the translation of Queen songs).

 

Other performers at the concert included Zucchero, Beyonce, Yusuf Islam, Bono, The Edge, Dave Stewart, Ms. Dynamite and Bob Geldof. There were some Queen medleys including 'Invincible Hope' and '46664 The Call'. The finale featured Anastacia singing 'Amandla', 'We Will Rock You' and 'We are the Champions'. It was great to see the African drummers beating out the intro to WWRY!

 

Las Palabras de Amor - 46664 Latino, Benidorm, August 2004

 

A footnote - oh dear, what concert? I started writing pieces for this site in July and had earmarked the above title to use for a review - I had booked to fly out and see this follow-up to the South African concert. It's Saturday, 21 August at 7.30 pm and I'm on my hotel balcony in Benidorm typing away on my laptop instead of preparing to get out to the concert - because it was postponed. Ironically, this did turn out to have a lot to do with 'Las Palabras de Amor' - in this case, the words of Mr José Amor, official in charge of events at Benidorm's town hall, who at the end of July said the concert wasn't suitable for Benidorm and that its success could not be guaranteed because some more successful Latino artists had not been confirmed to appear. Too bad - I'd booked my flight and hotel on non-amendable tickets - I'd been looking forward to hearing Brian and Roger play for a great cause. Not much information was given by the charity or the promoters (they must have lost out as well as the performers and fans)  as to precisely what went so wrong with the planning of this big event, announced in the middle of June, that it had the plug pulled on it six weeks later and only three weeks before it was due to take place (poor ticket sales apparently being partly to blame). Apart from a couple of Spanish media items posted on 'Queenzone' and Brian's responses on his own site (decent of him to answer at all, as a performer what could he do?), there was a total dearth of information.

 

Anyway, I've had a relaxing and peaceful short break in Benidorm, even though my reason for coming didn't happen. I've divided my time between strolling around the town and looking at the sights, also along the front and the beach, swimming in the hotel pool and finishing off pieces for this site. Home tomorrow! Let's hope I'll be able to make the postponed event, whenever and wherever that will be.

  

 

You ask me where to begin
Am I so lost in my sin
You ask me where did I fall
I'll say I can't tell you when
But if my spirit is lost
How will I find what is near
Don't question I'm not alone
Somehow I'll find my way home
My sun shall rise in the east
So shall my heart be at peace
And if you're asking me when
I'll say it starts at the end
You know your will to be free
Is matched with love secretly
And talk will alter your prayer
Somehow you'll find you are there.
Your friend is close by your side
And speaks in far ancient tongue
A season’s wish will come true
All seasons begin with you
A world we all come from
A world we melt into one
Just hold my hand and we're there
Somehow we're going somewhere
Somehow we're going somewhere
You ask me where to begin
Am I so lost in my sin
You ask me where did I fall
I'll say I can't tell you when
But if my spirit is strong
I know it can't be long
No questions I'm not alone
 Somehow I'll find my way home

'I'll Find My Way Home' by

Jon and Vangelis.

 

 

 

05 Mar 05 - Article From Rock Radio Website:

Teacher hails Rock music in school 

 

With Queen's "Bohemian Rhapsody," German teacher Steffen Reinhold showed the students at Ryle High School in America that they aren't that much different from their German counterparts.

Reinhold, from Leipzig, Germany, visited the school last week as part of the two-week East German Teacher Visitor Program. To get into the program, Reinhold said, the teachers have to have been born in East Germany and never been to the United States.

Aside from the differences that existed before the fall of the Berlin Wall, Reinhold said, American teenagers and German teenagers are pretty much the same.

A music teacher, Reinhold directs a choir in his school. Like American teenagers, his students enjoy performing music that is more modern, such as "Bohemian Rhapsody," he said.

"In GDR (German Democratic Republic) time, you had to learn Russian," Reinhold said. "For 10 years I learned Russian, but I don't speak any Russian." Rather, he said, he focused on English so that he could read the lyrics in the liner notes of Pink Floyd's "The Wall."

On a trip to Hungary, when he was younger, Reinhold said he was allowed to take only the equivalent of $350 out of East Germany. During the trip he bought "The Wall," for what was the equivalent of $50, leaving him only $300 to spend on food and a place to stay.

Like others who had made the trip to buy records they could not get in Ea
st Germany, Reinhold spent the nights in Hungary at a free campground, which the Hungarians called "Idiot Camps."

"I did it just once in my life, and I did it for the records," he said.  

It was fortuitous to find this article on the Rock Radio website this week, as it is a good starting point for one of the ‘journeys’ I was going to write about on this page. Having already written quite a bit about my experiences of life in the German Democratic Republic, I was going to bring together a few more thoughts about the divided Germany and its unification.

 The above article shows that the young people in East Germany were never a lot different from their western counterparts, and it is interesting that Queen is the starting point here. The fact that Queen were allowed to play in Hungary in 1986 cannot disguise the fact that the governments of ‘Iron Curtain’ countries were generally very wary of rock bands playing concerts within their borders – Freddie was quoted as saying that they were not allowed to play in Russia because of fears that they might corrupt the youth.

 At the time of my stay in East Germany, the artists who were best known through, I believe, having played concerts there were Smokie and Bonnie Tyler.

Of course, as shown in the article above, there was a widespread interest among young people in learning English to give them access to the lyrics of songs. The fact is, however, that this was quite difficult, Russian being compulsory in schools and the language that everyone was expected to learn. As the writer of the above article states, few people actually learned it! The interest in it was virtually non-existent – the language was forced on them, and they had no opportunity to practise it. Despite the links, very few East German citizens were able to visit the then USSR; as one East German girl told me at the time, ‘they don’t want us to see the poverty that really exists there’. Among my fellow students in Leipzig who were studying English, I remember one joke we had about the learning of Russian. It’s difficult to get the humour when translating from German into English. But as this is the Internet and therefore international, some Germans speakers may read it and appreciate it. We were all staying together in the house of one of the students just outside Dresden:

 One of the students opened a Russian text book previously used at school, and read a phrase in its German translation:

 ‘Ich habe russisch in der Schule gelernt aber ich habe keine Übung – I’ve learned Russian at school but don’t get any practice – to which another replied, as quick as a flash ‘es sollte heissen, ich habe keine Ahnung!’ – it should say that I’ve no idea!

 The only country they could visit with ease was (as it was then) Czechoslovakia, possibly Hungary, as mentioned in the above article, and remotely possible was Bulgaria.

14 Jul 05: Another Anecdote about East Germany

When I had glandular fever back in 1983 I was studying in East Germany, and was very ill. That is the only time I’ve ever been in hospital apart from having my daughter, back in the UK, nine years later. So the first time I was ever in hospital I was away from home – and my knowledge of medical vocabulary in German made a stunning advance! It must have been late in June, because we were due to leave the country, that I began a 12-day stay in the St Georg hospital in Leipzig. I was ordered not to leave my bed for a week because my lymphatic system was so swollen that my spleen might burst, and my liver would also be in danger!

 Doctors in East Germany were among the professional classes who were entitled to a number of benefits such as good housing. However, there was generally a labour shortage, and we were often visited and treated by a Vietnamese nurse, among the many Vietnamese migrant workers in the country at the time.  I later found out that, when the German Democratic Republic - the official name for East Germany - was founded in 1949, they modelled their health service on our British NHS!  

I was on a ward with two other women, one quite old, the other probably in her late thirties. Aided by a diet of stodge, strawberries, and peppermint tea I was nursed back to health. Having had to obtain an extension on my visa, I was finally discharged and allowed to travel home. Before I left, I picked up a parcel for a fellow British student which had arrived too late to reach her there. However, the main contents of the parcel had been removed as being unpermitted material, leaving only a letter. When I forwarded it to her on my return to the UK, I asked, out of curiosity, about the removed item. A friend had attempted to send her a book - a copy of ‘Lolita’ by the banned Soviet author Nabokov!

 

 05 Nov 05 - A Tale from Pakistan

When I went to Pakistan in the autumn of 1984, it certainly proved to be an unusual adventure. I remember that I was on a train from Karachi up to Rawalpindi in the north. As the train was twenty-four hours late, I was already confused about which day it was! I had arranged to meet the brother of my friend Zamir at a ‘youth hostel’ which was no longer a youth hostel, but a scout centre! I’d become convinced Zamir’s brother was arriving the next day, and was surprised when he turned up soon after I arrived! I then realised that this was because of the extreme amount of overtime I’d done on the train!

 I had met Zamir when I was a student in Shanghai where he was studying for a degree in Mechanical Engineering at Tongji University, which was near the university where I was studying, Fudan. That had been in 1982. At the time of this visit to his two years later, he was still studying in China.

 The family lived in a small town called Wah Cantt between Rawalpindi and Peshawar which is the town on the Afghan border. His mother lived in a small house, which had a mini farmyard at the back. Many women would gather there to talk during the day. But I stayed at the house of Zamir’s sister, who was married to a pilot for Kuwaiti Airlines. Her husband was therefore usually absent, and in the social structure of Pakistan at the time, she relied very much on her eldest son to ‘guard’ the household. Under the leadership of General Zia-ul-Haq, women were expected to walk behind men, and there was segregation in public places like cafés and buses. Purdah was strictly observed and most women remained in the home.

 My stay in Wah Cantt was to be limited, however. This was because my presence in the village had been reported – the family did not know it, but they were supposed to have asked permission to have a foreigner staying with them! Two local officials came to Zamir’s mother’s house to question me.  They were not happy about me remaining there – this may have had something to do with having two close members of my family working for the UK Civil Service – they maybe suspected I was a spy! But spying on what? It’s generally believed that Zia ul-Haq was “actively pursuing a nuclear weapons program” (backed by its allies, China and the USA),1 and, the fact that there was a military base in Wah Cantt and it was close to the capital Islamabad, I’ve heard some informed wisdom that this is where is was happening! This would definitely explain the sensitivity about having foreigners in the town!

 So I had to move out, having been told that I might be welcome again if the correct procedures were followed. I returned to Islamabad, and there are other stories I could tell about my time in Pakistan, such as my visit to Gilgit, in the mountains, which involved taking the cheapest flight in the world! It was there that I visited the only Chinese Cemetery I’d ever seen – I never saw one during my time in China (there appeared to be no space for them) – the Chinese who perished in the building of the Karakoram Highway linking the two countries are to be found there.

I shall have to save these other stories for another time, and hopefully find some pictures to go with them!

  1 http://www.mtholyoke.edu/acad/intrel/bombaid.htm

 

23.02.08

1977 and All That  - Three Decades of Queen Anniversaries

In the autumn of 1977, on a drive through the mountains of Vermont, a new song, ‘We Will Rock You’, was heard through the distant signal from a Boston radio station. It was played back-to-back with ‘We Are The Champions’, which was to become its partner in perpetuity and correctly identified as a ‘smash’ that would be heard for months to come (1). (Now we know that it was not just a question of “months”, but “years”, as both songs have entered the realms of timelessness!) Next door, in Canada, ‘StageLife’ magazine could hardly have been closer to the mark when it described ‘We Will Rock You’ at the time as “a primo-heavy crowd chant for the 21st century” (2).

 

In the UK, though, it can be said that it that the enduring popularity of these two songs might not have been so obvious. The other Queen, the one on the throne, was celebrating her Silver Jubilee, while a lot of fuss was being made about punk rock - stirring up teenage discontent; out to upset the ‘Old Guard’, both musical and constitutional, with its message of social inclusion. Unperturbed by the anarchic and anti-monarchist offerings of punk’s most outrageous ambassadors, The Sex Pistols, Freddie declared his patriotism and said how much he was enjoying the Jubilee. Queen’s two great anthems were released, designed for crowd participation, and so they produced their own brand of social inclusion, the appeal of which would long outlive the reign of punk rock!

 

Ten years on, in 1987, we find Queen taking a break from each other to pursue individual projects. For Roger, this meant the formation of his own group, The Cross., I learned recently that Clayton Moss, who was lead guitarist of the group, can be located online at www.myspace.com/fishpigg where you can find out what he is doing now!

  

Picture: queencollector.net

The Cross released ‘Cowboys and Indians’ as their debut single. As the title suggests, it is all about the USA, so I asked my penpal in Milwaukee, Dorothy, to give her impressions of the song:

 

“I think ‘Cowboys and Indians’ was meant to be a history of sorts, dealing with the lifestyles and music around the States. I believe Roger lived in Los Angeles for a while in the 80s. He got a feel of the US from touring and his home there. I have also been all over the US a lot.

  The part of the song “There are Cowboys and Indians at home on the range but the Cowboys and Indians have changed…” I think is about our progress as a society but that we are also still stuck in old ways. Our country is divided in sections like in the song; the east coast, fast paced and intense, the west coast, laid back with big stars, cars and Hollywood. The middle is a mixture of lots of styles. In the south Jazz and Blues, Mowtown in Detroit, and all over ‘rock ‘n’ roll country’!”

 

It was also in 1987 that Freddie became involved in an ‘extra-curricular’ love of his, opera, when he recorded ‘Barcelona’ with Montserrat Caballé. I was on holiday in Barcelona this August – the picture shows me in front of a piece of Freddie memorabilia in the basement of the Hard Rock Café there, and I noted that the Montserrat-Freddie collaboration on ‘Barcelona’ is registered in the city’s Museum of Music.  

  Also in 1987, Freddie recorded a vocal for The Cross as well - on ‘Heaven for Everyone’, which gave rise to the suggestion that it was “quite possibly the finest song that Queen never released”(3). Of course, the Queen version later became the first single to appear from the ‘Made in Heaven’ album.  

(More on The Cross here).

 

Another ten years on, in 1997, the opening of Béjart’s ‘Ballet for Life’: “le Presbytère n'a rien perdu de son charme, ni le jardin de son éclat” took place in Paris. The dancing is choreographed to recordings of Queen, both studio and live.

 

(Maurice Béjart, who died in November 2007 at the age of 80 can be seen at the end of the above footage of the finale of the 'Ballet for Life').

The ‘Ballet for Life’ reached London in 2000 and the attendance of a Mr. Ben Elton shows that the presentation of Queen’s music within the domain of the theatre was already being closely examined. Only two years later, London would see another theatrical production, bearing the name of a well-known song, stage its worldwide premiere. In all this excitement, it has become a little lost in the mists of time (but remembered on Brian’s ‘Back to the Light’ album), that, when the song ‘We Will Rock You’ was first released, the words of the title were already familiar from an old lullaby carol. That idea came full circle when Linda Ronstadt later recorded a lullaby version of Brian’s song for her album ‘Dedicated to the One I Love’ (1996). Among the many other cover versions of the song is a children’s version (4), which features in another ballet that uses Queen’s music, the ‘Tanzhommage an Queen’ - ‘Dance Homage to Queen’ – which opened at the Volksoper in Vienna in 2007. The children’s version accompanies dancing by members of the youth section of the Volksoper ballet.

(This part of the ballet is choreographed by Nadia Deferm, and the rest by Ben van Cauwenbergh).

 Picture: kulturchannel.at

In October I attended a performance of ‘The Tanzhommage an Queen’, at the end of which the audience spontaneously broke into clapping that familiar rhythm from the start of ‘We Will Rock You’. Although rock history regards the song as part of Queen’s answer to punk. Ironically, a conversation Freddie reportedly had with Sid Vicious of the Sex Pistols provided a pointer to the future when he affirmed he was doing his best to “bring ballet to the masses”!

 

 

1. Paul Gambaccini’s ‘Track Records’, 1985.

2. ‘Too Rich to Rock?’, 1977. The article can be viewed here: http://www.queencuttings.com/dblog/articolo.asp?articolo=333

3. Simon Duckett, ‘Record Collector, December 1992

4. This 2003 version was used in Europe for an animated advert for Evian water which can be viewed here:

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