Roger Taylor Solo
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This page will provide a few commentaries on selected songs from Roger's solo albums.

The first will be 'Nazis 1994' from the album 'Happiness?'. The song was written by Roger and the lyrics reproduced below:

Nazis 1994

They’re saying now it never happened

They’re saying now it never happened

They’re saying now it never happened

They’re saying now it never happened

 

We gotta stop these stinking Nazis

 

And they say that it didn’t happen

What the Nazis did to the Jews

If they think they’ve a second coming

Then we got different news

 

We gotta stop these stinking Nazis

 

They say now it didn’t happen

They say now it didn’t happen

They say now it didn’t happen

They say now it didn’t happen

 

We gotta stop these stinking Nazis

 

What the world needs is more Nazis

Like it needs a hole in the head

Your future is not safe at all

‘Til this disease is dead

 

They’re saying now it never happened

They’re saying now it never happened

They’re saying now it never happened

They’re saying now it never happened

 

We gotta stop these stinking Nazis

 

Yeah!

 

When I was living in Munich in the early nineties and was quite amazed that there still existed a strong right wing element in politics. I wondered if people wanted to repeat history. There were racist attacks on asylum seekers too, which were exacerbated by the unification of the two Germanies and the resulting unemployment in the East – people were looking for a scapegoat.

 However, it’s not just Germany that may still suffer from the danger. In this country in the 1980s I witnessed a very ugly attack on some black people by skinheads. There is still the danger of the British National Party; their leader Nick Griffin, who claims that the holocaust never happened. One of the most influential proponents of these views has been British ‘historian’ David Irving, who, using his brilliant command of German, went to Germany to spread his poisonous views, which have, fortunately, been discredited. 

 Also, in France there have been desecrations of Jewish cemeteries coupled with the well-known popularity of the ultra-right. Ironically, the latter spreads its message against the large immigrant population, including those of Arab origin, who in turn form an anti-Semitic faction due to the Palestinian-Israeli issue.  (People also form liaisons of convenience (see third link below)).  This leads on to the second song from the album ‘Happiness?’ on which I’ll write a few words – ‘Foreign Sand’. (Lyrics below).

 Relevant links about Neo-Nazism:

 http://www.rickross.com/reference/neonazis/neonazis15.html

 http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2005/01/09/wnazi09.xml&sSheet=/news/2005/01/09/ixworld.html

 http://www.searchlightmagazine.com/stopthebnp/uncovered/pg03.htm

 Some  background to the song itself:

http://www.brianmay.com/roger/press/nazis1994.html


Foreign Sand     by Roger Taylor and Yoshiki

Here we go - ain't it grand
Here we stand on foreign sand
And we're not alone

Why do we fear what we don't understand
Can't we reach out our hands to try, just say 'hello'
Try to plant a seed - fulfil the need - to make it grow - just say hello
And when you're far from home try to learn from what you see
Your eyes will tell you everything you need

Why do we dread what we don't really know
Come not as concubine - come not as foe
Come with intentions clearly shown
Try to plant a seed - fulfil the need - to make it grow - just say hello
And though you're far from home, try to learn from all you see
Your mind will tell you everything you need - everything you need

Here we go ain't it grand
Here we stand on foreign sand
And we're not alone

Red, yellow, black and white
Every man stand in the light - stand not alone

It's not a lie - it's not a sham - we play for keeps - it's not a scam
No bigotry - we're hand in hand - it ain't a cinch - we make a stand
We learn to live on foreign sand
Just say hello

Why do we despise when we can't even speak
We keep on spreading lies
As far as we know it's the only way to be
Try to plant a seed - fulfil the need - to make it grow – just say hello
And though you're far from home try to learn what you could be
Your heart will tell you everything you need
even though you stand here you stand on foreign sand
Ain't it grand here we stand
On foreign sand
Together we stand
Here we stand
On foreign sand  

I love this song – it’s a beautiful melody, carrying a really great message. ‘Why do we fear what we don’t understand?’ The answer to this question may lie in the prejudices we build up over the one-sided view we may develop over foreigners we encounter at home. I think it’s fair to look at the theme of travelling to learn about others and our treatment of immigrants in tandem.

 My first big trip abroad was to China when I was nineteen. The nine months I spent there were unquestionably life-changing. Not only did I gain first hand experience of China, but I also met students from other countries. For example, Arabs in London in the seventies received a very negative press. There were instances of Arabs who had gained wealth through oil who were shoplifting from London shops despite having lots of cash on their person. But when I was in China, I made a very good friend with an Arab student from North Yemen* – from him and a Pakistani student I learned a lot about Islam.

 Similarly, the other time I spent abroad as a student – in East Germany was educational in the sense that I met people (either workers or students) from countries which were aligned with the eastern bloc – as the world was divided along those lines at the time – such as Vietnam, Algeria, Cuba, South Yemen* and other eastern European countries. I have happy memories of conversations with all of them. It was only the students from North Korea who were not allowed to speak with us. They were dressed in blue ‘Mao-style’ suits, each with a badge of the leader on the lapel.

In the midst of the continuing debate about asylum seekers in the UK, it’s people who stand out as being foreign who attract attention. But it’s often ignored that most immigrants come from ‘white’ countries with similar cultures to ours such as Ireland and Australia.

 One thing I’ve tried to do to reach out is to make a point learning how to say ‘Do you speak English?’ in the language of the country I’m travelling to.  Sometimes my knowledge of other languages, such as German and French, has helped me, but I obviously can’t learn every language. However, I think it’s rude to assume that others can speak English and that we can walk into their country and use it automatically.

This song progresses from using our eyes to our mind and finally our heart when we travel to other places, and it shows that there can be understanding and unity with others despite differences.

 *Yemen was divided at the time.  


Staying with the Happiness? album, the next commentary is on another song about travels:

Revelations by Roger Taylor

I went to the Ukraine
They don't have much to eat
No sugar on the table
But the people stay sweet

I've been to the third world
They've got nothing but hope
Through the starving and dying
Sometimes somehow they cope

It was a revelation - a revelation -
A revelation to me

I've been to the U.S.
Promised land of the free
With the workless and homeless
Begging on every street

It was a revelation - a revelation -
A revelation to me

Revelation, it was a revelation

And right here in Europe
Far as can been seen
Butter mountains and wine lakes
That much food it's obscene

Now you can label me stupid
Or naive with this song
But when children are starving
I know what's right and what's wrong

It was a revelation - a revelation -
A revelation to me

This song deals with the fact that the best qualities in human nature can be demonstrated where there are few material possessions. It is a revelation to travel to some places and witness how little some people have; poverty, of course also being the cause of many problems.

 

The piece about the Ukraine reminds me of my experiences in two other eastern European countries – Poland and Romania. Both have struggled, in different ways, to emerge successfully from the years of communist rule. In fact, when I visited Romania it was still under a communist regime, and by far and away the poorest of the eastern bloc countries; this became something of an ‘in-joke’ among the other countries. I remember being on a train travelling through Romania in a train in 1985 - in the same compartment was an East German, and some friendly Romanians shared some bread with us. ‘Bread in Romania!’ joked the East German. Fortunately, these people were good-natured enough to be able to take it gracefully. In Poland in the late eighties, as I was once told by a German lady who went there regularly, such were the shortages that the sausage was regularly supplemented with paper in order to put the quantities up to the requisite weight for sale. However, there is a saying in Poland, ‘If a guest is in the house, God is in the house’. They mean it too – I never wanted for anything when I was the guest of a Polish family in Poznan. So I find the words

 

‘no sugar on the table

but the people stay sweet’

 

ring particularly true.

 

The hardship of life in a developing country or in the USA, where there is poverty despite the wealth, is also touched on in this song.

 

I have a bit of experience of living in parts of Africa and also in China. The people tend to maintain a sense of community and family. Despite the problems, for example, the Africans always have faith and make music.

 

An Economics lesson in the Common Agricultural Policy of the EU is necessary to understand why surpluses – ‘butter mountains and wine lakes’ come to exist, resulting in a huge gap between rich and poor when they are not shared with countries outside.

 

The Common Agricultural Policy (CAP) of the EU was set up to increase agricultural production and farm incomes, as well as to preserve jobs in agriculture and secure an internal market with stable prices. Therefore the CAP reduced food imports from countries outside the EU and fixed guaranteed prices within the EU which were kept artificially high by the purchase of surplus products by ‘intervention buying’, ie purchase by agencies. The results of this were a widening of the gap between rich and poor countries and an optimum production by farmers as there was no upper limit set on the amount purchased. In 1992, measures were taken to reform the policy, such as the gradual reduction of subsidies and production quotas, with mixed success.

 

For the next commentary, we stay with the same album but break off our travels to deal with Roger’s appraisal of a particular aspect of the state of the British press: 

Dear Mr Murdoch by Roger Taylor

Dear Mr Murdoch, what have you done
With your news of the screws and your soaraway Sun?
You sharpen our hatred
You've blunted our minds
We're drowning in nipples and bingo and sex crimes

How many times must they poke and they pry
Must they twist and lie?
Just to add to the grime they even screwed up the Times
Love to kick their arse goodbye oh wouldn't I!

Dear Mr Murdoch you play hard to see
But with your bare-arsed cheek you should be on page three
And dear Mr Murdoch you're really the pits
Bad news is good business, you're the king of the tits

They stain all they touch, they're real woman haters
But we're on their trail
They go straight for the lowest common denominators
How could they fail? Go straight to jail - (no bail)!

Dear Mr Murdoch you're a powerful man
You control half our media whose values don't scan
And dear Mr Murdoch we're not so amused
Just line up the people whose lives they've abused

Dear Mr Murdoch what do you know
With your minions like vultures and carrion crow
They've sunk just as low as humans can sink
For profit they tell us how mass murderers think

And dear Mr Murdoch you come down from on high
You even bought up the air waves, you control all our sky

Dear Mr Murdoch you're a dangerous chap
With your jingoist lingo we're drowning in crap

Dear Mr Murdoch where are you coming from?
Getting so hard to tell if you're a Yank, Oz or Pom

Dear Mr Murdoch you're really the pits
Bad news is good business, you're the king of the tits

Dear Mr Murdoch you do it with zing
At lowering standards you're really the king

And dear Mr Murdoch what have you done?
You're not quite as nice as Attila the Hun.
 

I was interested and delighted to find that Roger had written this song. I have been concerned for the best part of two decades about press domination in Britain. When talking about this song, Roger complained that there’s no news in the papers. Nothing has changed since this album was released in 1994. There is still sensationalism rather than reporting about things that matter. I remember when I was living in Germany from 1990-91, on one of my visits home I noticed that the tabloids were headlining with stories about footballer Paul Gascoigne’s knee. This was at the time when the historic unification of the two Germanies was taking place, important for the whole of Europe, but nobody cared. But then again, Murdoch is widely believed to be ‘Europhobic’, not to mention his ‘jingoist lingo’ which Roger mentions here. During my stay in Germany, the press had to ‘poke and pry’ into Freddie’s private situation. ‘I think what made me very angry personally was when they were hounding Freddie when he was very sick, in fact dying’ as Roger put it, and that ‘the Murdoch press were a major part of that’. When Roger says ‘they go straight for the lowest common denominators’, one of the habits he must be referring to is that of splaying the bedroom happenings of even the moderately famous across centre spreads, not to mention that he’s ‘king of the tits’. An echo is found here of some lines of a John Lennon song that Roger recorded for his next album, Electric Fire, ‘Working Class Hero’:

‘Keep you doped with religion and sex and TV

And you think you’re so clever and classless and free

But you’re still fucking peasants as far as I can see…’

 Another thing Roger mentions is how the ‘rules don’t seem to apply to Murdoch – that he appears to be able to buy what he likes; ‘getting hard to tell if you’re a Yank, Oz or Pom’ refers to the acquisition of US citizenship by the Australian-born Murdoch in order to extend his media empire in America.

 Since Roger wrote this song, the media has, of course, developed in many different directions, all of them global. In a way it is good to have cross-border news available, giving different slants on the news and not so much bound by any national government controls on broadcasting. However, it’s all controlled by media barons instead. Furthermore, it all still matters little in a one-party state. Murdoch would put his politics, generally recognised to be right wing, aside for the sake of opportunism; his publishing firm Harper Collins refused to publish Chris Patten’s book about his governorship of Hong Kong because of its criticism of the Chinese government at a time when Murdoch was trying to gain a foothold in China. In 1998 (the same year Patten's book was published by another company, Macmillan) on the Cyberbarn video, Roger talks about the visit Tony Blair made to Murdoch to win over his support. This must refer to the July ’95 visit Blair made with his aides after being elected Leader of the Labour Party to the Australian resort of Hayman Island where Murdoch and his senior executives were holding a conference. ‘The government is absolutely terrified of him’ Roger said. Records certainly show that the ‘Soaraway Sun’ can have a decisive effect on election results if the paper reports negatively against a certain party and/or politician.

 ‘Dear Mr Murdoch, you’re a dangerous chap’ is certainly true with regard to the power Murdoch holds which has grown over the years – much of the media in Australia is controlled by him and about a third of it in the UK, not to mention his interests in the US and other countries, he has been recognised as the top media giant – even ahead of Bill Gates!

 But Murdoch is an unapologetic fellow who is oblivious to criticism. He talks about being ‘libertarian' – What does libertarian mean? "As much individual responsibility as possible, 
as little government as possible, as few rules as possible. But I'm not saying it should be taken to the absolute limit."* But if ‘he’s not quite as nice as Atilla the Hun’, it appears that in some ways it might be more of a case along the lines of the French Royal Family being replaced by Napoleon!

 *Rupert Murdoch quoted in  Time Magazine interview with William Shawcross, published in the Oct 25 1999 edition.  

(My comments are ©2005 Now-Im-Here.com)

 

This page is nowhere near finished! The next song is to be notified!

Home Up Lover of Life Singer of Songs A Kind of Magic Dreamer's Ball Roger Taylor Solo Shove It Fun It Driven by You BANG! - Complete History of the Universe On the Bass Line

 

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